MK Sound VX-4 User Manual Page 4

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sources and a 3.5mm headphone jack offer
the only front-panel hookup.
At 16.7kg, the model also exhibits serious
heft. The neatly laid-out rear panel is as
generous as it is clean. There are seven HDMI
inputs and two outputs, both of which are
ARC (Audio Return Channel) compatible.
Curiously, one of the inputs is labelled VCR,
which is clearly a little ridiculous. This
vestigial nomenclature can also be found
on the remote control.
There's also a trio of component inputs,
four legacy phono AV inputs and a Zone 2
analogue output. Digital audio options
include two optical and four coaxial. Should
you feel the need to haul in an external power
pusher, there's also a 7.1 bank of pre-amp
outputs. As is the trend these days, though,
there are no multichannel analogue inputs.
This might just be an issue if you have a
legacy Super Audio CD/DVD-Audio deck.
The receiver is a seven-channel design,
using multi-voltage Class G amplification.
It can be configured as a full 7.1 system,
or as 5.1 with two channels serving a second
zone. Alternatively, users can opt to bi-amp
the front stereo pair in 5.1. For this review, the
AVR750 was run in its 7.1 configuration.
Network entertainment is delivered via
an Ethernet input; there's also a rear-mounted
USB, which when the HDMI inputs are
populated becomes virtually unusable.
External control support includes RS232,
plus 12V and IR triggers, which can
automatically switch on connected kit.
Revamped electronics
While some elements of the AVR750 recall
its antecedents, there have been big changes
beneath the hood. The entire HDMI and video
processing stage is new, sourced from Analog
Devices. This is quite a change from its
predecessor, which featured software
specifically written in-house by Arcam.
Unfortunately, that bravery led to a number
of reliability issues. In comparison, this
platform appears bulletproof. The receiver's
video switching time has improved, too, and
Taking the top off: inside Arcam's AVR750
The AVR750 employs
a revised and refined
seven-channel Class G
amplifier for 'clean and
tight power delivery'
B
An Analog Devices 4K
processor enables Ultra HD
passthrough, and upscaling
of hi-def and standard-def
sources to 3,840x2,160
Audio clarity is improved,
says Arcam, by virtue of
an ultra-low-noise pre
amplifier with discrete
electronic volume control
the AVR basically handshakes with every
hot plug as soon as it's powered up, which
dramatically improves overall slickness
and usability. All sources can be upscaled
to 4K resolution.
The supplied CR450 remote is a backlit,
learning zapper. It also comes pre
programmed for other Arcam devices,
and, in time-honoured tradition, button
functionality changes depending on which
source device is selected. A comprehensive
guide to this multi-functionality is provided
in the tutorial booklet.
Despite its high-end designation, the
AVR750 is not a difficult receiver to set up
and optimize. Typically in a home cinema
system, you'll declare all speakers to be
small regardless of their physical size, thereby
allowing the subwoofer to handle lower-
frequency information. However, given the
AVR750's audiophile leanings, this approach
may not always be appropriate; helpfully, you
can elect to configure the AVR750 for stereo
listening differently.
The Arcam ships with an Auto Speaker
setup calibration mic, which performs the
usual enclosure measurements and room EQ
sleight of hand. You can elect to manually
select which inputs benefit from this
equalisation - ideal if you prefer certain
sources uncoloured. While I preferred the
AVR750 sans EQ in two-channel mode, this
calibration certainly helped multichannel
material. The routine takes a little longer to
complete than rival systems, but positional
accuracy is very good. Inevitably, though, some
further tweaking was done to get the most
agreeable sound balance.
When it comes to a user interface, the
AVR750 offers a utilitarian face to the world. >
HOME CINEMA CHOICE 0C1
Robert Follis Associates Limited - Home Cinema Choice Oct13
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